The only quibble is it blames a random admiral when many have pointed the finger at Vladimir Putin directly. The Russian military is portrayed as a force in decline whose leadership would rather sacrifice its own soldiers than admit weakness. "The Command" is a western European production with a stellar cast including Colin Firth. Ironically, the film's only real flaw is it distractingly plays with aspect ratio as letterboxes move in and out at key moments.
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And unlike so many older titles only available in a hideous 16x9 crop, "The Command" comes as director Thomas Vinterberg intended, in full widescreen glory. So forget the haters this sci-fi adventure is a thrill if you go in understanding it's a B-movie in big-budget scuba gear.ĭespite a middling budget, "The Command" has some of the most flawless and subtle cinematography of any submarine thriller. Even surrounded by super-geniuses, it's up to Norman's intuitive instincts as a shrink to solve the riddle of a mysterious alien consciousness. Liev Schreiber and Sharon Stone round out this perfectly cast crew, each catching cabin fever in the face of their strange discovery. This was Crichton at the peak of his sci-fi powers, and nobody was better at blending popular science into technically plausible thriller plots. Jackson is fantastic as the team's resident mathematician who is suspiciously resigned to spending the anxious hours lying about reading another story about underwater peril, "20,000 Leagues Under the Sea."Ĭritics absolutely hated this movie, particularly the ending, but the conceit is just too intriguing to dismiss. The plot and the international politics leave a lot to be desired, although they do end up manufacturing a silly but effective stand off by the end.Dustin Hoffman plays Norman, a psychologist called upon for a secret mission to a deep-sea habitat where it turns out a strange and possibly extraterrestrial orb has been found buried inside a sunken spaceship. Also no one seems to be able to communicate with anyone else, like when Captain Glass decides to save a Russian captain played by the late Michael Nyqvist, except in an extremely pivotal moment that makes you wonder why no one did this earlier.ĭiplomacy conversations really go out the window when the Americans decide - against the protest of Chairman of the Joint Chiefs of Staff Charles Donnegan (Gary Oldman, for some reason) - decide their best option is to rescue the Russian president from his own soldiers and not tell anyone about it. It all eventually comes together when they realize that there’s been a coup on the Russian president, but why anyone makes any of these decisions prior to this is just baffling to say the least. Back in the U.S., NSA worker Jayne Norquist (Linda Cardellini, one of three women in this film), decides Fisk needs to send a ground team (Toby Stephens, Michael Trucco, Ryan McPartlin and Zane Holt) to Russia, which ends up feeling like a Peter Berg short film accidentally cut into a submarine movie.
Their mission gets even more puzzling, as a Russian sub hidden in the crevasse of an iceberg starts firing on them. The next thing we know a military helicopter is swooping down to pick him up and take him to his sub.
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This moment lets the audience know a few things: a) That Joe Glass has empathy and b) that this movie has no subtlety. But then he looks to the right of the buck and sees its CGI family close by and decides to lower his weapon. We meet him in the middle of nowhere, in snowy terrain about to shoot a CGI buck across a glassy lake with a bow and arrow. He’s seen stuff, guys, and not in a Naval Academy classroom. He “never went to Annapolis.” Why that makes him especially qualified for this mission will basically remain a mystery, other than the fact that he’ll readily disobey orders and go rogue at any opportunity. The man for the job, Rear Admiral John Fisk (Common) concludes, is Captain Joe Glass (Butler), who we’re told is not like the other guys. An American submarine is torpedoed by a Russian sub in Russian waters, but back in the U.S., all they know is it’s disappeared, and they’ve got to go find it. Grant shine in biopic about fraudster biographer
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